Saturday, August 02, 2008

Random working layover haikus

High humidity
Quiet airport night
My spreadsheets flow thick and fast

Blissful loneliness
The world swims by in
Verdana, Font Size Fourteen

Don't know what to do
Bored, but I plod on
Shaping clients' strategy

Saturday, July 26, 2008

Nothing like dancing and partying with a bunch of 20 year olds...

...to make one realise how old and uncool one is.

I'm still, of course, very young. And I normally laugh at those who constantly worry about their age and crib about losing their youth. I've also always been a firm believer in the tenet that age is a factor of the mind, and not the body.

Yet, in a space of a few hours, I was forced to revisit my views. I was jolted out of my comfort zone of calm self-assurance and forced into a situation where I didn't how how to react. I can't believe I'm saying this, but - relatively speaking - I felt my age.

3 a.m. is not the best time for these ruminations... I know I'll pooh-pooh all this in the morning, but it feels rather strange and unsettling nonetheless.

Sunday, July 13, 2008

If

A few days ago, a minor milestone in my life passed by almost unnoticed. I have just completed one whole year here at Gurgaon, and my first complete year at a permanent job. Time seems to have flown - it seems like only yesterday that I was embarking on my career, wide eyed and eager to show the world who's boss.

It's been one hell of a learning experience... and several small things - managing expectations at work, shopping for groceries, hanging out with friends, managing household and personal financials - have taught me so much, have helped me grow as a person; have helped me become - I'll say it - a Man.

Here's a little ode to the last year.


(With due apologies to Rudyard Kipling)

If you can drive your car when all about you
Are crashing theirs and blaming it on you;
If you can trust yourself not to hit the bulls and cows,
But make allowance for their movement too;
If you can wait in traffic and not be tired by waiting,
Or, being faced with cops, bribe them selectively,
Or, being honked at without reason, don't give way to hating,
And yet don't act too aggressive, nor drive too rashly;

If you can dream for your clients - and not make them your master;
If you can think complex strategy - and convey it with simplicity;
If you can meet with both triumph and disaster
And treat great client feedback and lousy reviews with equanimity;
If you can bear to work long slavish hours on occasion
Up to fifteen or twenty hours a day,
Yet find time for the occasional brief vacation
And satisfaction in adding value and earning your pay;

If you can make head or tail of all your earnings
And understand HRA and 80C calculations,
And deal with the landlord’s infrequent rantings
And pardon the help’s frequent excuses and explanations;
If you can force your heart and nerve and sinew
To subscribe to responsible expenditure and thrift
And so sniff out “Buy X get Y free” deals anew
Yet splurge when the occasion demands it;

If you can talk with crowds and use less than two swear words a sentence,
Or walk with kings – and avoid a pickpocket’s touch;
If you can tolerate local FM, irritatingly vacuous and dense;
If paneer, vodka and Subway count with you, but none too much;
If, in this unforgiving life, you submit
Yourself to incessant 24x7 Punjabification
You’ll have conquered Gurgaon and everything that's in it,
And - which is more - you'll be a Man my son!


(Original poem: If, by Rudyard Kipling. One of the most incredible poems ever.)

Friday, July 04, 2008

Slow day at work PLUS Free stationery EQUALS...



Sunday, June 29, 2008

The Name is Rajinikanth - Errr...

I just finished reading the book The Name is Rajinikanth by Dr. Gayathri Sreekanth. I picked it up at Landmark in Mumbai a few weeks ago, lured by its surprisingly prominent positioning and its surprisingly low price.

This book charts the life of Superstar Rajinikanth, right from his birth as Shivaji Rao Gaekwad in a poverty-stricken family in Bangalore to his current life - the Thalaivar and undisputed king of Tamil cinema.

There's some good, some bad. And I can also look at this from two points of view - one being that of the Tamil movie and/or Rajini enthusiast (though not as much of an enthusiast to call myself an avid fan), and the other that of a reader of books, in general.

And there you go; we have a simple two-by-two for us to analyze this book.

It being a weekend and therefore a period where I have time on my hands, I decided to waste some time laying it out on a slide. Here you go. (Yup, I hear orgasmic shrieks of pleasure from my fellow consultants.)





Let's tackle them one at a time.

Good; Movie/Rajini enthusiast

This book is an absolute treasure trove of fun facts and interesting trivia (In particular, it's a super book for any quizzer!) The reader is taken on an exhilarating ride through his childhood, his wayward and aimless youth, the beginning of his interest in acting while a bus conductor in Bangalore, his days as a student of acting, and then his steady rise in movies. Along the way, one gets fairly liberal doses of insight into his love life (and that of his relatives) and his political and spiritual leanings. Plus a complete filmography and brief plotlines of his major films. This is absolutely as comprehensive and lovingly detailed a tome as you are likely to find on the Superstar. The author has clearly spent a lot of time and effort on research and interviews, painstakingly bringing to life the multiple facets of Rajini's personality. And for this phenomenal effort, she deserves a great deal of praise.

Bad; Movie/Rajini enthusiast

The tone of the book can not even remotely be considered objective. It constantly deifies Rajini, and continually emphasises that he is a blessed being, one whose fame and fortune was predestined. It deals with all the negatives of his early life as mere trifles - amusing little asides to his character - and the good parts of his later life as superhuman (suprahuman is the term used, I think) achievements that prove that he is a great human being. Rajini is constantly shown as screwing up his friends and relatives lives, but he is immediately repentant and with tearful eyes contemplates the wonder of human relations. Bleah. I would much rather have had a more frank story of his life, one that does not suck up to him quite as much. Credit, though, must be given for the fact that the author has made it a point to mention those episodes of Rajini's life, although occasionally watered down.

Also, there's just a little too much about his spiritual inclinations... those parts of the book are (to me, at least) insufferably boring. As also his frequent ramblings on the subject and the detailed map of his astrological past, present and future. But hey, that's just me.

In addition, I felt that the book kind of lost the plot towards the end... the last fifteen years or so, in particular seem to have been dealt with rather summarily. It's almost like the author decided to write only about the transformation from Shivaji to established Rajini, and ran out of steam. The end is outrageously abrupt. I turned the page and found myself suddenly confronted by the appendix. I wasn't missing pages, I checked. The book just... ended. Leaving me very very dissatisfied.

Good; Book lover

The structure of the book is very interesting. Instead of a good old start-at-the-beginning-and-finish-at-the-end flow, it is episodic, interleaving chapters from the present with those from the past. It makes for very interesting reading, and keeps the book very lively and dynamic even though there is no real link from one chapter to the next. If only it didn't end so suddenly :(

Bad; Book lover

Oh my god, this is such a TERRIBLY written book. Terrible in terms of the grammar, the sentence construction and the formatting. Three impressions strike immediately
  • The book was first written in Tamil, then translated almost directly and literally into English, using translations of Tamil phrases and very Tamil English. I wish I could give you an example of this, but I can't bring myself to go through the book all over again so soon. In any case, as someone who studied in Chennai for several years, the Tamil-toned English hits one straight between the eyes. Also, in some places, the choice of words is inexplicably bizarre.

  • The author has given little or no thought to consistency of format. Quotation marks (single, double) appear on and off at will when there is direct speech; the prose suddenly gives way to business-like bullet points (oh yeah... you like it, don't you, consultants!); the tense and direct/indirect prose keeps switching and changing. And that's just the beginning. For someone who likes reading, and likes reading good English - Salman Rushdie's stories are crap but, by GOD, he writes divinely! - this is extremely extremely grating.

  • The proofreader/checker was clearly sleeping/drinking on the job. Or one was not employed at all. How else does one explain the numerous spelling mistakes and punctuation errors? Even idiotically simple things like when the author, describing his important movies, writes, "Pudhu Kavidhai: Two novelties" and proceeds to list three. Grrrrr... quite maddening.



I just flipped to a page at random (293, hardback edition), and pulled out - word for word - a passage I felt best illustrates my point (and there are many many many many of them all throughout the book). This passage finds Rajini preparing for his first film shoot, for the movie Apoorva Ragangal.

< - Extract - >

Sunday just didn't seem to pass. Why has time slowed down so much? thought Shivaji, looking at the wall clock, and why is it that I am sitting idly.

He again practised in front of the wall mirror. What could possibly be the role? 'I think I look nice if I play a powerful villain,' he agreed with himself. 'May be KB felt I'll look great bashing up the goons.'

The night reached its stagnation. Time and tide came to a stand still. 'It will never be dawn,' Shivaji kept looking at the sky repeatedly. 'Damn the sun,' he swore.

Slowly the morning crept over, and Shivaji readied himself two hours before the scheduled reporting, combing his hair with his hand and a comb a million times.

He reached the location well before time, and began to take stock of the situation. Suddently (sic) he looked deathly; he clutched his chest and gasped for breath. He looked struck, "Kamal Haasan? I have a role with Kamal Haasan? The director thinks I can act alongside K.A.M.A.L? I hope someone tells me this is no bizarre dream."

< - End - >

I had great expectations from this book, especially given the few glowing reviews I'd read. Now, I love the fact that I know a lot of new trivia about Rajini, but I'm not sure I'll ever read through the book cover to cover again. It's great fun, but rather painful fun.

Tuesday, June 17, 2008

Dasavatharam - Errr...





I am a huge fan of Universal Star Padma Shri Dr. Kamal Haasan. I think he's an exceptionally gifted actor and something approaching a cinematic visionary. I love the fact that he is not afraid to experiment, to push the boundaries of contemporary cinema.

So it was with fairly high expectations that I went to watch Dasavatharam (Wiki) - his much-hyped magnum opus - last weekend.

If I had to pick two words to describe it, they'd be these: a. Impressive, b. Disappointing

Impressive because it takes guts and talent to contemplate and execute a movie of this scale. Disappointing because I expected so so so much more.

A few thoughts:

Impact
I didn't come out of this movie feeling anything at all. Of his recent movies, Panchathanthiram and Vasool Raja left one feeling on a ROFL induced high, while Anbe Sivam and Virumaandi simply blew one away by the sheer brilliance of structure and performance. Dasavatharam? Nothing. No connect, just a mild feeling of having been let down.

SFX/VFX
As Kamal has gone to town declaring, this does set new standards of filmmaking for Tamil cinema. Maybe even Indian cinema. Some of the visual effects are amazing, especially the often ignored visual effects of having multiple Kamals sharing a single scene fairly seamlessly. Some though, are cringe-inducingly tacky, particularly during the climax.

Music
Contrary to what the rest of the world seems to think, I didn't find it a complete disaster. Mukunda is very easy on the ears, and Oh Ho Sanam is good fun as well (until Kamal starts yelling instead of singing in the last 30 seconds). But Kallai Mattum Kandaal is sheer brilliance. Wonderful music by Himeshbhai (although the base tune is copied from a random Malayalam song) and sung powerfully and emotively by Hariharan.

Mallika Sherawat
Ugh. My god, woman. If you're doing a pole dance, at least try to be graceful. Especially if that is practically the only thing you bring to the movie.

Avtaars
Another Panchathanthiram would have worked just fine. Keep Rangarajan Nambi, Balaram Naidu, Govind, Vincent Boovarajan and (reluctantly) Avtaar Singh. The others didn't need you to play them anyway, layers of muscle-stiffening make up and all.

Make up
Oh Kamal, Kamal. Did you have to go for random Plaster of Paris masks for your characters? Not only do they look ridiculously fake, they also restrict your facial expressions and smother your eyes and voice, all of which are key to your normally brilliant performances.

Ego
This, to me, is the single biggest flaw to the movie. Kamal is a phenomenal actor, but has a phenomenal ego to boot. (This, incidentally, is often pointed out as the key personality difference between him and Rajni.) How else does one explain the force-fitting of Kamal-played characters to bring the total to 10, the dialogue anointing one of the characters as Ulaga Nayagan and the my-god-I-can't-believe-they're-doing-this-tacky-self-congratulatory-song Ulaga Nayagane at the end. The whole movie was eventually reduced to being less about the story and more about Kamal giving himself a stage to grandstand.

Which made it very disappointing to someone going in expecting a powerful performance from him.

Oh well. Hopefully his next will make amends.

Sunday, June 08, 2008

The Statue of Lunacy

The Statue of Liberty is an iconic representation of the USA, greeting visitors as they touch its shores.

If Mumbai's politicians have their way, India will have it's own such statue - one of Chhatrapati Shivaji, the great warrior king. Shivaji is probably one of India's greatest homegrown historical heroes, and also the historical figure most misused for political gains today.

The statue will stand 2 kilometers into the sea, off the coast of Mumbai. It will rise over 300 meters (about 30 storeys) and will be accessible only by ferry, a la the Statue of Liberty.

All that's fine and well, but here's the rub - the project is estimated to cost a whopping Rs 100 crore. That's 1000000000 Indian Rupees. This, from a state government that is already reeling under debt worth an estimated 2 lakh crores (2000000000000 Indian Rupees). But not to worry, the Government has done its homework. When questioned, the Chief Minister apparently sought to reassure the public about the sound financial planning behind the decision with the statement, "That (100 crores) is not a problem in our budget. It's for Shivaji Maharaj after all!" Wonderful.

Enough has been said at various forums about the urgent need for development works in Mumbai. The 100 year old drainage system that needs an overhaul and not annual patchwork. The suitable clearing and resettlement of slum lands to provide relief to the space-starved city. Large scale transport infrastructure projects to reduce the crippling pressure on the local train systems (there are grand plans for several arching bridges - a la the Bandra Worli Sealink - a metro and possibly new bus systems). And the urgent upgradation required of the water systems to curtail losses from leaks and pilferage (which some estimate at as high as 40%). Outside of Mumbai, farmers are committing suicide due to lack of support for agriculturists in hard times, and Maharashtra has one of the worst records among India's states for child health and malnutrition. And there are a host of other issues, I'm sure.

And what does the government do? Pour taxpayers' money into an unnecessary statue. Now Shivaji was a great leader, and deserves to be celebrated... as he already is, with thousands of statues and memorials across Maharashtra. But even he would be appalled at the sheer lunacy of this scheme. In spite of all the ways this money could be put to better use, the State Government has considered it prudent to greenlight this ambitious proposal.

Good governance and good sense is tossed out the window in the face of political posturing. Idiots.

Well, if Mumbai can put up a larger than life statue of Shivaji, we in Chennai can do it too. Won't it be awesome to see this statue rising out of the sea just off the Marina?

Monday, June 02, 2008

Not the best way to spend a Sunday night in Mumbai

Context: I'm in Mumbai. It's a little after 10pm on a Sunday night, and I have at 5:45 am flight back to Delhi, and work. I just called up a cab company a friend recommended to arrange for a cab the next morning.

Here, in gory detail, is what transpired.

Flashback: A little over an hour ago.


I dial the number and, in less than one ring, I'm connected.

21:00
Thank you for calling XYZ Cabs. You are caller number (pause) forty (pause) six. One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

WTF, forty six?! Well, I don't have too many affordable options, so let's see this through.


21:02
Thank you for calling XYZ Cabs. You are caller number (pause) forty (pause) two. One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

This is going to take some time, and my ear is beginning to burn. Time to switch to loudspeaker mode.


21:05
Thank you for calling XYZ Cabs. You are caller number (pause) forty (pause). One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

For some reason, the connectivity in the hotel room is rather poor. I take two steps to the right. No difference. I take four steps to the left. Ah, slightly better, though still a little fuzzy.


21:08
Thank you for calling XYZ Cabs. You are caller number (pause) thirty (pause) five. One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

It's bad enough that I have to listen to this crap distorted on the speaker. The fuzziness is just plain irritating. A little investigative activity reveals that the clearest reception is in the bathroom. Well, if that's what it takes to get this all-important cab...


21:11
Thank you for calling XYZ Cabs. You are caller number (pause) thirty (pause) one. One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

Hmmm... Their executives will 'service' me. Sounds rather naughty. Dirty, even.


21:13
Thank you for calling XYZ Cabs. You are caller number (pause) twenty (pause) seven. One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

It's been almost fifteen minutes, and I'm getting a little pissed about wasting my time sitting in the bathroom (lovely though it is). The only consolation is the fact that my call is still important to them, as the lady with the sexy recorded voice assures me.


21:17
You also also book an XYZ cab on the net at www.XYZ.com or through SMS by sending XYZ to (pause) 5 (pause) 7 (pause) 5 (pause) 7 (pause) 5 (pause). Thank you for calling XYZ Cabs. You are caller number (pause) twenty (pause) three...

Random music.

Uh huh. Well, breathy-voice-lady, you're website doesn't seem to be working. And if you think I'm going to spend five rupees per SMS on a series of back and forth messages, think again. I'm quite comfortable on this here commode, and I'm sticking it out.


21:20
Thank you for calling XYZ Cabs. You are caller number (pause) twenty (pause). One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

This music isn't too bad, really. A little tuneless, but with a definite element of classicality to it. Far more bearable than the Air Deccan and Amex IVRS tunes. This tune will spook in me in my sleep, but it's not as bad as it could be.


21:23
Thank you for calling XYZ Cabs. You are caller number (pause) fifteen (pause). One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

All this walking about in nervous irritation can be rather hard on one's bladder. Thankfully, I'm conveniently placed.


21:26
Thank you for calling XYZ Cabs. You are caller number (pause) twelve (pause). One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

This bathroom has two bottles of body cleanser and one each of body moisturizer, hair cleanser and conditioner. It also has two bars of soap, two shower caps, one pack of cotton buds and two loofahs. Ooh, loofahs. Gotta have those. Into my pocket they go.


21:29
Thank you for calling XYZ Cabs. You are caller number (pause) seven (pause). One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

Yippee! I'm into single digits! A celebratory dance - boom shika shika boom shika shika. (Bet you're thanking your lucky stars this isn't a video blog.)


21:31
Thank you for calling XYZ Cabs. You are caller number (pause) three (pause). One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

I'm nearly there. Just two people ahead of me in the queue. I can almost taste it. I sing along with the music that I have now, almost subconsciously and involuntarily, adopted as my personal anthem. Which, now that I think of it, is very weird given that it had no words.


21:32
Good evening, welcome to XYZ Cabs. This is Amrita. How can I help you?
Me: Good evening. You know, they say the fruit of patience is sweet.
Sir?
Me: Never mind; I'd like to book a cab for 4am in the morning.
Sir?
Me: I'd like to book a cab please.
Hello?
Me: Hello?
Sir?
Me (mild panic in my voice): Hello? Can you hear me?
Hello?
Me: Hello!
Click.

Dial tone.


Me (an anguished wail): Noooooooooooooo!

I try again.

21:35
Thank you for calling XYZ Cabs. You are caller number (pause) fifty (pause) eight. One of our customer care executives will service you shortly. Your call is very important to us. Please stay on the line.

Random music.

F%&*.

Wednesday, May 21, 2008

Pitter patter

8:45 a.m.

I'm starting a new case today, a new industry. A Private Equity case, and a highly analytical one from what I know of it. A typically challenging and steep-learning-curve day stretches ahead, one that I know will give me the opportunity to step up to new challenges and new levels of responsibility as I grow into my job.

Yet, as I sit in my car waiting for the lights to change, my thoughts are less on the office and more on the way the overnight rain has given way to a wonderfully light drizzle... how the surprisingly stiff breeze does not carry the now-wet sand as it normally does, instead bringing me a whiff of spice, perfume and wet earth. The trees on the once-dusty roadside, newly planted, sway as though celebrating their clean, washed greenery.

The lights change, I put my car into gear and pull ahead.

A radio station is playing old Hindi songs. A fine spray of rain kisses my face, moistening and teasing my right earlobe. Little droplets crowd my windshield, clinging onto the glass in a brief declaration of independence before gravity pulls them downwards, joining their bulbous brothers and coalescing as they fall below my line of sight.

To the left, the road leading to my office. Straight ahead, merely one hundred metres away, the highway.

Somedays, I wish one could just bunk work like one bunked classes in college.

Sunday, May 11, 2008

Random thoughts on inter-cultural love/marriage

Over the last year or so, several people I have known (worked with, studied with, laughed with, cried with, lamented life with, celebrated life with) have gotten married.

I've received numerous invitations, and much as I'd like to have been able to attend all of them (especially those of classmates from SVCE or IIMA), being a working professional and having to earn one's salary has got in the way just a little. Plus the not-insignificant flight costs, although that's much less of a consideration.

What's struck me as an interesting feature of these marriages is the fact in a majority of the cases, the couple met, fell in love, and decided to get married even though they were from different cultural backgrounds. In other words, these were 'love marriages', as several relatively (in many ways) orthodox people I know of say with a disdainful look in their eyes and a pursing of their lips.

In a country where the concept of arranged marriages has long held sway as the right and proper and honourable way of setting up an alliance, I see this as an interesting shift in mindset. It's not surprising that it's happened among people of my generation - it was bound to, given the kind of influences and stimuli we are fed thanks to our global outlook, and the renewed desire to be seen as independent and deciding one's life. What's surprising (and, perhaps, heartening) is the fact that several parents (i.e. one generation up) are now willing to consider this.

Among the weddings I've been invited to (or have been told of) of late have been the following combination of cultures/religions
-> Tamil Brahmin - Maharashtrian
-> Tamil Brahmin (Iyer) - Tamil Brahmin (Iyengar) Yes, that's a fairly big deal too
-> Tamil Brahmin - Punjabi
-> Punjabi - Bengali
-> Bihari - Kannadiga
-> Punjabi - Gujarati

There have been several love marriages of people I know within the Tam Brahm community (I don't know what castes the couple belonged to; knowing that society, that would have been a huge cause for debate as well), as well as one Christian-Hindu marriage.

One of the couples above eloped to get married. As expected, there was a great deal of hand wringing and disowning and threatening police action on charges of kidnapping. The issue was settled with the girl's family disowning the couple, but the thaw is under way. If one were to go by a similar story of elopement in my extended family, fences will mend quicker once a child is on the way.

Some of my friends have had to fight for years to get their parents to agree to their choice of life partner. Some of the parents have gone as far as to threaten legal action if the inter-caste or inter-culture marriage was carried through. In some cases, the parents finally agreed (perhaps more out of resignation and a feeling that it was high time their son/daughter got married). In others, the relationship broke off under the strain of dogged parental disapproval and years of insult and rebuke with a great deal of heartache, disappointment and loneliness for both parties. The parents, of course, were joyful at the split, seeing it as an opportunity to set their errant child upon their pre-approved, socially acceptable and appropriate path.

Almost all the married couples I have known who have had had love marriages over the last two to three years are very happy in their current lives.

All the examples I've quoted (or have experienced from any reasonable distance) have been of well educated, urban families. Both the good examples where the parents trusted their kids to make responsible decisions, and the bad ones where parents were heavy handed in their denial of freedom of choice. I'm not saying its bad/wrong of parents to disapprove - if your child is marrying a gold digger or drug addict, you have every right to object and steer them away from that path. As a parent you are probably mortally scared that your child might be making a big mistake that you find yourself powerless to stop. You're probably torn between the clashing instincts of protecting your baby and letting him/her stand on their own feet as individuals with self-thought. And that fear stems from love, affection and a desire to see your child have what's best for them and settled in a long happy marriage. But to denounce a relationship purely on the basis of caste or regional/culture considerations, especially in the current world of nuclear families where a couple does not have to live with the extended family, seems regressive, unfair and just plain unacceptable.

Often, a parent's views are defined by what society would think. "Oh, what will people say if I marry my good Tam Brahm daughter to a big loud Punjabi boy? I won't be able to hold my head up in society again!" Stereotypical associations kick in and there is a marked unwillingness to even meet or talk to the potential son/daughter in law, much less accept them into the family. There is probably a need to understand that the 'kid' is grown up too. I can understand concern about an 18 year old wanting to get married, but if your child is 24/25 and is atleast a little worldly-wise, a little trust and understanding is required. Love is no longer blind at that age, the attendant reponsibilities make one think long and hard before a commitment. No one wants to mess up their own life, and by that age, a certain sense of responsibility and accountability kicks in, which allows the 'kid' to make more rational, well thought out decisions. If one can legally make the choice to drink, drive, have sex or vote (although that doesn't always turn out too well), why not the choice to marry?

When weighing (potentially lower) social acceptance and what the neighbourhood maami gossip circuit thinks against a well thought out (and trust me, by a certain age it is well thought out) decision from one's child that he/she is convinced will bring happiness and stability, sometimes one just needs to say "Screw you, society. Screw you and your hypocritical, insular ways that steal a person's right to make his or her own decisions and give it to a bunch of stars and an archaic caste system."

Again, all this is in an urban context. And I firmly believe urban India is more progressive in this sense, more willing to accept these new fangled concepts of love that would have meant instant shame and ostracization a generation or two ago. Yes, even in urban India, one often reads about cases that come frighteningly close to honour killings... but one hopes that over perhaps one more generation, a greater level of tolerance and understanding will develop.


(Here's the story that triggered the train of thought leading to this post, although it's not directly related: The original story and the follow up. I also stumbled across a couple of interesting articles on inter caste marriages and a Christian-Muslim wedding.)



I've just read through what I've written, and I realise it's far from well written. As I am wont to do, I just spill thoughts out onto the screen, tilting against my windmills with little thought for wording, structure, readability and sometimes grammar. I see I've mixed tenses and first/second person views and written unbelievably long and sub-claused sentences. I've also been fairly harsh at some places. I apologize for the style (or lack thereof) of writing, but not the content. I do have a point to make, though, and I hope that's come out clearly enough.